Nerdly » ‘Bruiser’ 4K UHD Review (Indicator)

23rd Jul2024

‘Bruiser’ 4K UHD Review (Indicator)

by Phil Wheat

Stars: Jason Flemyng, Peter Stormare, Leslie Hope, Tom Atkins, Nina Garbiras, Andrew Tarbet, Jonathan Higgins | Written and Directed by George A. Romero

George A. Romero, renowned for his groundbreaking work in the horror genre, particularly his “Living Dead” series, took a distinctive turn with his 2000 film Bruiser. Stepping away from the visceral zombie apocalypse scenarios that cemented his legacy, Romero delved into a psychological thriller that explores themes of identity, revenge, and societal alienation.

Bruiser follows the story of Henry Creedlow, played by Jason Flemyng, a meek advertising executive who is perpetually exploited and humiliated by those around him. His life takes a dramatic turn when he awakens one morning to find that his face has transformed into a blank, featureless mask. This physical manifestation of his lost identity empowers him to exact revenge on those who have wronged him, from his unfaithful wife to his tyrannical boss.

The film’s thematic focus on identity and personal reclamation is both its strength and weakness. Romero’s attempt to dissect the dehumanizing aspects of modern society is evident, but the execution wavers, often oscillating between introspective drama and campy horror. The blank mask serves as a powerful metaphor for the loss of self in a superficial and materialistic world, echoing Romero’s consistent critique of societal flaws seen in his earlier works.

Bruiser retains elements of Romero’s signature style. His penchant for social commentary is front and centre, though it is more subdued compared to the overt critiques in his zombie films. The movie’s narrative structure and character arcs are reminiscent of his earlier explorations of human nature under extreme conditions. Additionally, Romero’s knack for blending horror with dark humour is present, albeit less prominently.

Jason Flemyng delivers a commendable performance as Henry, convincingly portraying a man pushed to his breaking point. His transformation from a passive victim to a vengeful figure is both compelling and tragic. Supporting performances, particularly from Peter Stormare as the obnoxious boss, lend the film a dynamic, albeit sometimes over-the-top, energy.

Visually, Bruiser is a mixed bag. The film’s lower budget is apparent in its production values, which lack the polish of mainstream thrillers. However, Romero’s direction infuses certain scenes with a chilling atmosphere, particularly those featuring Henry’s masked visage. The practical effects and makeup, staples of Romero’s horror films, are effectively utilized to enhance the film’s eerie tone.

In the context of Romero’s oeuvre, Bruiser stands as an intriguing but flawed experiment. It doesn’t reach the heights of his seminal works like Night of the Living Dead or Dawn of the Dead, yet it offers a unique perspective on the horror genre. The film is a testament to Romero’s versatility and willingness to explore new narrative territories, even if the results are not always successful.

Bruiser is a fascinating entry in George A. Romero’s filmography. It may not have the lasting impact of his zombie classics, but it showcases his continual engagement with societal issues and personal horror. For fans of Romero, it is a film worth watching to appreciate his broader artistic vision and his exploration of the darker aspects of human existence beyond the undead.

Special Features:

4K HDR restoration 4K (2160p) UHD presentation in Dolby Vision (HDR10 compatible)
Original 5.1 surround sound and stereo audio tracks
Audio commentary with writer-director George A Romero and producer Peter Grunwald (2001)
Archival Interview with George A Romero (2014): previously unheard audio recording with the legendary filmmaker
Interview with Jason Flemyng (2024): the actor discusses his lead role and working with Romero
Interview with Dr Chud (2024): the former Misfits drummer talks about the band’s appearance in the film and its contribution to the soundtrack
The Worm That Turned (2024): Kim Newman, author of Nightmare Movies, contextualises Bruiser within the context of Romero’s career
Original theatrical trailer
Image gallery: promotional and publicity materials
New and improved English subtitles for the deaf and hard of hearing
Limited edition exclusive 80-page book with a new essay by Craig Ian Mann, archival interviews and magazine articles, an overview of contemporary critical responses, and full film credits