05th Jun2019

The Filmmakers Podcast #111: How to go from VFX to Directing

by Phil Wheat

Here’s the latest episode of the The Filmmakers Podcast, part of the ever-growing podcast roster here on Nerdly. If you haven’t heard the show yet, you can check out previous episodes on the official podcast site, whilst we’ll be featuring each and every new episode as it premieres.

For those unfamiliar, with the series, The Filmmakers Podcast is a podcast about how to make films from micro budget indie films to bigger budget studio films and everything in-between. Our hosts Giles Alderson, Dan Richardson, Andrew Rodger and Cristian James talk how to get films made, how to actually make them and how to try not to f… it up in their very humble opinion. Guests will come on and chat about their film making experiences from directors, writers, producers, screenwriters, actors, cinematographers and distributors. They also shoot the breeze about their new films, The Dare, World of Darkness, Fanged Up, & Retribution too.


The Filmmakers Podcast #111: How to go from a VFX Compositor to making two independent Sci-Fi Features & a Disney TV Series with director Hasraf ‘Haz’ Dulull

The wonderful and highly talented and fun director, writer and VFX superstar Hasraf ‘Haz’ Dulull sat down with Giles Alderson and Robbie McKane to chat how he went from VFX work on The Dark Knight to making his own films ‘The Beyond’ and ‘2036 Origin Unknown’ and his TV show Fast Layne.

We chat about his star in video games making cut scene graphics in an autonomous self-starting role. How he moved into the VFX film industry – specialised in compositing (combining different VFX elements into the final film) and pioneered the use of Shake and Combustible applications. How he worked on studio films culmulating in The Dark Knight for Christopher Nolan where a custom version of Shake was used to accommodate the 5K IMAX film. How he worked on commercials in VFX – moved up the rungs to lead compositor then VFX supervisor and As VFX supervisor was able to get a good perspective of production – began to work as a ‘shadow director’ on some CG sequences in documentary work.

We discuss how he began working on short films and building his own team where he gathered attention for his shorts in Cannes, developed relationships with Paramount and Fox for screenwriting and developing projects. How he put his own money he had planned to buy a house on the line for his first feature – The Beyond, based on his successful short Project Cronos. Used caché from The Beyond to push his next feature ‘2036 Origin Unknown’ over the line and then used both of those features to pitch for Fast Layne a VFX heavy Disney TV series.

Follow The Filmmakers Podcast on Twitter: @filmmakerspod | @gilesalderson and the official website


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