15th Apr2026

‘Happy Halloween’ VOD Review

by Joel Harley

Stars: Emma Reinagel, Aline O’Neill, Graham Weldin, Cameron Mabie, Jack Cathcart | Directed by Brittney Greer

Make of this what you will: after watching Happy Halloween, I went to log the film on my Letterboxd account. As I did, I was dismayed to learn that I had already seen the thing – during its UK premiere at FrightFest 2024, less than two years ago.

To be clear, my own bad memory is in no way the fault of writer and director Brittney Greer. However, it is symptomatic of a seasonal slasher film that’s never in danger of breaking the mold. But nor does it particularly seek to.

While celebrating its 300th anniversary, a township in Midwest America is targeted by a masked serial killer, stalking its cohort of pretty young things against a backdrop of corn mazes and pumpkin decorations. At the heart of this massacre is Hadley Briggs (Emma Reinagel), the survivor of a brutal attack by her ex-boyfriend the previous year. Hadley is keen to move on – even pursuing a tentative romance with a childhood crush – but it quickly becomes clear that the past isn’t ready to move on from her just yet. Has her psycho ex escaped from the institution where he’s currently being held? Or is there another murderer on the loose?

Set in a town of Halloween whimsy, Happy Halloween does an effective job in laying out its wares. It’s a cosy cross between Scream and (Hubie) Halloween. Not-very-subtly homaging John Carpenter’s iconic theme with Chris Porcelli’s own upbeat score, it aims for a very specific tone – one that’s as much Gilmore Girls as it is Halloween. It’s a labour of love for all involved, and one backed up by the Kickstarter campaign, which ultimately funded its creation.

What separates this from most low-budget stalk-and-stabbers is an exceptionally crisp visual palette. While it’s refreshing to be able to see what’s going on (and some of the lighting is particularly lovely), the digital sheen gives the film a look that’s more teen drama than grisly slasher… and the overly stuffy performances don’t help either. Greer does admirable work with very little, but the clunky pacing and excessively waffly writing make its more egregious flaws harder to forgive.

Happy Halloween is a likeable homage to early 00s slasher films. But likeable doesn’t always cut it – while the attention to detail and carefully laid-out story are appreciated, this is a disappointingly forgettable take on the subgenre. Its enthusiasm is palpable, if not nearly as infectious as you’d hope.

** 2/5

Happy Halloween is now on digital platforms from Uncork’d Entertainment.

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