‘Absurd’ 4K UHD Review (88 Films)

Stars: George Eastman, Annie Belle, Charles Borromel, Katya Berger, Kasimir Berger, Hanja Kochansky, Ian Danby, Ted Rusoff, Edmund Purdom | Written by George Eastman | Directed by Joe D’Amato

Absurd (1981), also known as Horrible and Rosso Sangue, is an Italian horror film directed by Joe D’Amato. The film serves as a loose follow-up to D’Amato’s earlier work, Anthropophagus. It features George Eastman reprising a similar role, this time as a near-immortal killer who regenerates from his injuries, leaving a trail of brutal murders in his wake, building on the themes and shock value established in Anthropophagus, pushing the boundaries of gore and violence even further. Absurd opens with the brutal pursuit and impalement of Eastman’s character, setting the tone for a relentless parade of bloodshed. The plot revolves around this indestructible killer terrorizing a suburban family, turning their home into a battleground of survival.

Much like its predecessor, Absurd found itself embroiled in controversy, particularly in the UK where it was added to the infamous “video nasties” list. This list comprised films that were considered excessively violent and morally corrupting, leading to them being banned and prosecuted under the Obscene Publications Act. The film’s graphic depictions of violence, including gruesome deaths and explicit gore, played a significant role in its censorship and notoriety.

The controversy surrounding Absurd mirrored that of Anthropophagus. Both films were directed by Joe D’Amato and starred George Eastman as a monstrous killer, making Absurd feel like a spiritual successor to Anthropophagus. The graphic violence and taboo content challenged societal norms and censorship boundaries, cementing D’Amato’s reputation as a provocateur in the horror genre.

Absurd showcases Joe D’Amato’s ability to create a tense and horrifying atmosphere. The film’s strength lies in its relentless pacing and the palpable sense of dread that permeates every scene. George Eastman delivers a terrifying performance, his physicality and menacing presence making him a formidable villain. The practical effects and makeup work are noteworthy, especially given the film’s low budget, adding a visceral realism to the carnage.

However, Absurd also inherits some of the flaws seen in Anthropophagus. The narrative is thin, serving primarily as a vehicle for the violent set pieces. Character development is minimal, with most characters existing solely to be dispatched in increasingly gruesome ways. The dialogue can be stilted and awkward, detracting from the overall immersion.

Despite its shortcomings, Absurd has carved out a niche for itself in horror history. Its association with the video nasties list has given it a cult status, drawing interest from horror enthusiasts and collectors. The film’s willingness to push the envelope in terms of violence and shock value has made it a topic of discussion among fans of extreme cinema. It can also be seen as a continuation of D’Amato’s exploration of human monstrosity and unchecked brutality. Both films reflect a period in horror cinema where filmmakers were unafraid to confront audiences with the most primal and disturbing aspects of human nature.

In conclusion, Absurd is a film that embodies the excesses of early 1980s horror. Its graphic content and controversial history make it a must-watch for fans of extreme horror and exploitation films. While it may not appeal to all tastes, its place in the pantheon of video nasties ensures its legacy as a significant, if unsettling, piece of horror cinema. For those intrigued by the darker side of film history, Absurd offers a visceral and provocative experience that echoes the controversial impact of Anthropophagus.

Special Features:

• Audio Commentary #1 by Eugenio Ercolani and Nanni Cobretti (English version only, NEW)
• Audio Commentary #2 by The Hysteria Continues (English version, Legacy)
• Original Trailer
• When Luigi met George – 2023 interview with star/writer George Eastman/Luigi Montefiori (NEW, 27 mins)
• The Absurd Factor – 2016 interview with star/writer George Eastman (Legacy, 14 mins)
• The Sound of Filmirage – 2016 interview with composer Carlo Maria Cordio (18 mins, NEW)
• An Uncredited Biker – 2016 interview with Michelle Soavi (Legacy, 17 mins)
• How Absurd – video essay by Mike Foster (NEW, 14 mins)
• Reversible sleeve featuring new art by Graham Humphreys and original Italian poster

**** 4/5

Absurd is out now on 4K UHD from 88 Films.